Welcome to Juke!
Juke is a sandbox masquerading as an arts journal. It’s an experimental outlet for myself, Tonya Morton (hi!), and for a few friends whose work I’ve always admired and enjoyed. We started as a group of four: me, Damon Falke, Ned Mudd and Paul Vlachos. But we’re steadily adding new voices—Tabby Ivy, Wes Kline, and Anthony Head, to name a few from the last couple months.
As a group we are writers, photographers, artists and musicians. We use Juke as a platform to dabble in all those forms, and we’re planning to branch out into videography and podcasting too. In short, we’re going to play around and create things, which is considerably more fun with a community of readers to give us feedback.
Subscribe to get full access to the newsletter and website. We’re planning to maintain a bi-weekly posting schedule, so you will have the pleasure of our company often enough to (hopefully) enjoy what you read, but not so often that you’ll get sick of us.
Every new edition of the newsletter goes directly to your inbox. Paid subscribers will get more direct access to our writers, and will see special previews and special member-only posts. Free subscribers will still be able to see most of our work and be a part of the conversation.
Join the Juke
Juke is looking for unpublished…
Send short pieces/art/music via email to firstname.lastname@example.org. For longer pieces (over 1500 words) send a one-paragraph description/explanation. We’ll try to respond in a normal human timeframe.
Contributors are paid, albeit poorly, from the pool of subscription funds. You’ll retain all rights to your own work, and we won’t sell your soul to anybody without telling you first.
But before you submit! Make sure your submissions are well-edited and out of the ordinary—ideally without being precious or impenetrable. Write for an adult, non-academic audience.
No bullshit and, please, no advertising—unless it’s ironic advertising.
If you want to lie, do it well. The truth is also acceptable. But we can’t afford any attorneys, so change the names if you’re telling some really juicy truths.
Basically, don’t take stuff too seriously. But don’t NOT take it seriously either. Does that make sense?