Vespers
a new light filters through branches I remember other light, dust-filled, falling on my folded hands my knees know the stone and soil differently: one is memory, the other, presence their impressions both linger in my skin a hawk calls from the hollow of a lightning-struck oak. absence makes room for unexpected voices. I stood when told, sat when expected spoke prescribed words here, there are no rituals moss softens the fallen column where I rest my knees, feeling a pulse beneath surface— mine and something older the words I was taught never fit my tongue properly this silence doesn't demand to be filled with borrowed language between weathered stones wildflowers find unlikely homes their petals, like cool brass water shapes stone over centuries slowly as doubt reshapes conviction and without apology I still catch myself looking upward for answers but answers arrive sideways like snow driven by wind or dandelion cotton through the hallowed green sanctuary of a meadow a doe crosses with a grace I recognize but can't name my body remembers twilight deepens around me– my blue shadow mixes with tree shadows the boundary between tradition and discovery blurs deity stirs like light through this cathedral of living wood and I breathe its name without speaking
Sean Downing, poet, musician, teaches high school English and Theater Arts in Pagosa Springs, Colorado. He can often be found in his woodshop, coaxing music from odd scraps of junk, or haunting the trout streams around southwest Colorado. If you see him, don't tell anyone: they're probably looking to get an honest day's work out of him.
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This poem requires the reader to pronounce each word or phrase to allow it to penetrate the over-active mind. It calms the thought process and clears the pathway. Thank you.
“absence makes room
for unexpected
voices.”
Thanks, Sean. There is much to sit with in this piece.